Here's my take on this:

• "Harold and Kumar: Escape from Guantanamo Bay" - Neil Patrick Harris Don't get me wrong. The original "Harold and Kumar Go To White Castle" was a stoner flick classic. It had more heart that Cheech and Chong and more wit than half the comedies being made today... But let's face it: the sequel wasn't quite the same. Sure, there were great performances, but there was some lazy screenwriting going on and the plot didn't fulfill the premise. Everyone's favorite child-star-turned-actor-extraordinaire, NPH, really save the flick from being a big disappointment. His fame-renewing self-characterization scored yet again as we watch him conquer a Southern whorehouse whilst wielding a bag of coke in one hand and an NPH cattle-brander in the other. I half-considered turning his brand into a tattooed tramp stamp before I remembered that the "Dr. Horrible" is still in the running for permanent body art.
• "Catch and Release" - Kevin Smith This flick was hardly a catch or worth the release, except for the fact that Kevin Smith provided a surprisingly heartwrenching and down-to-earth performance. He went from goofy fat dude to suicidal best friend with ease one wouldn't expect from the guy who usual limits his performances to two-word utterings. ("No Ticket.")
• "A.I." - Jude Law I wish the combination of all the performances Jude Law gave after this career-defining role were even half as good as this. Law's manic robot persona carried the charm of an otherwise numbing film.
• "Melinda and Melinda" - Will Ferrel OK, I'm probably going to get a lot of crap for both my choice of a bad movie and a good actor. Now, I'm a card-carrying member of the "Woody Allen Still Makes Good Films!" team, but let's face it... This movie hardly fulfilled its potential. Allen seemed to get too caught up in the shtick of comparing a comedy to a drama and the story suffered on both fronts. This movie also loses points for casting Steve Carrell Ferrel, however, gave a brilliantly portrayal of naivety that almost makes one giddy to watch.
• "Batman and Robin" - Arnold Schwarzenegger In the most hated movie of the Batman franchise there was one shining oasis in the form of a performance so awesomely bad you can't help but laugh. Cali governor Arnold Schwarzenegger gave that performance. His horrendous one-liners coupled with his incomprehensibly thick accent made for one craptastic movie.
• "United 93" - Khalid Abdalla First of all, I am from the Boston area and have been living in New York for three years. I am not insensitive to the gravity of 9/11. However, let's just admit it, this movie sucked. Its use of non-actors was hardly on par with neo-realism and the handheld camera was a predictable and nauseating choice. However, Khalid Abdalla stood out as a phenomenal actor in this film. He made you feel some level of understanding - and perhaps even compassion - for a terrorist who launched the U.S. into one of its darkest periods since the Vietnam War. In fact, I think what I dislike the most about this movie is that the terrorist character is played so humanly that the audience finds itself connecting with him the most. And to that I have two words: "Too soon."

I'll leave off on that controversal choice and hopefully Nancy will respond with her own list!

(I swear Nancy is real!)

Para quem não se lembra, Dan Woolf é aquele "escritor fracassado que ganha a vida escrevendo obituários para um jornal".

Bom, aí que a coisa muda, não é mesmo?

Primeiro que não me considero um escritor. Esses são aqueles que vivem disso e são reconhecidos como tal, independentemente se produzem uma literatura boa ou não. (toma essa Paulo Coelho!)

Não é o meu caso, que diga-se estou ótimo na profissão que escolhi.

Outra coisa que não sou é fracassado. Mesmo que algumas pessoas chatas do passado, mesmo se passando por outros, vez ou outra me enviem comentários singelos do tipo:

"Meu, quem vc pensa que é, um crítico?
Vc não passa de um pobre coitado sem ninguém que mora no JB.

Se enxerga!"

Esse, assim como os anteriores, se você autor(a) não sabe, primeiro que é uma mula, segundo eu tenho como saber até o número de série do micro que você utilizou.

Mas voltando ao filme/personagem...

Li em algum lugar que ele "busca a cada esquina um amor para toda vida, e mesmo que encontre, nunca deixa de procurar".

É o que vemos no filme, pois cerca de um ano depois de se conhecerem (Alice [Natalie Portman] e Dan), publica um livro baseado na vida desta, com um relativo sucesso diga-se. Logo em seguida conhece a fotógrafa Anna (Julia Roberts) com quem acaba tendo um affair que se transformaria em caso somente após outro ano, na exibição das fotos de Anna.

O que aconteceu? Simplesmente, o amor para toda vida dele deixou de ser uma para ser a outra. Quase como se sua busca incessante, o seu desejo máximo,  fosse simplesmente ele mesmo.

Vejam como é o último diálogo deles no filme:

- Aonde vai?
- Cigarros.
- Mas está tudo fechado.
- Vou ao terminal.
- Quando eu voltar, por favor, fale a verdade.
- Por quê?
- Porque estou viciado nela.
- Porque sem ela somos animais... Confie em mim.
- Não te amo mais.
- Desde quando?
- Agora.
- Eu não quero mentir... Não posso contar a verdade, então, está tudo acabado.
- Não importa. Eu te amo. Nada importa.
- Tarde demais. Eu não te amo mais...
...Adeus.

Complicado, não?

Definitivamente, tudo o que não preciso neste momento, é que me analisem...

Mick Jagger [feat. Dave Stewart] - Old Habits Die Hard

UM BEIJO ROUBADO

Taí um filme que ninguém dava muita moral que o resultado final impressionou toda a crítica, e por fim, temos um belíssmo filme. Um elenco espetacular de grandes estrelas e a produção dos impecáveis chineses. Ah, também teve a participação dos franceses, mas isso a gente não precisa comentar. . .

Mas se ainda assim, o filme fosse ruim, temos a radiante Norah Jones estrelando seu primeiro filme, só o fato dela estar no filme já garantiu tudo.

sinopse oficial

jeremy (jude law) é o dono de um charmoso café acostumado a ouvir as histórias amorosas dos clientes. Uma noite ele recebe a visita de Elizabeth(Norah Jones), uma jovem mulher de coração partido com quem conversa madrugada adentro. Os dois passam a se encontrar, noite após noite. Elizabeth, confusa e determinada a se livrar do passado parte em uma viagem através do EUA. Ela faz novos amigos que a ajudam a entender os caminhos do amor: um policial que não consegue abandonar a ex-mulher e uma sexy jogadora de cartas. Jeremy, apaixonado, procura desesperadamente por Elizabeth, seguindo seus passos através de telefonemas e cartas.

Grande Elenco, Super Produção, e Trilha Sonora de quem ?! Dela mesma, Norah Jones, falo mais nada.

UM BEIJO ROUBADO foi dirigido e roteirizado pelo aclamado diretor Wong Kar Wai, de sucessos público e crítica como 2046 - Os Segredos do Amor e Amor à Flor da Pele.

Trailer Legendado

O último filme de Terry Gilliam, “The Imaginarium of Doctor Parnassus”, que conta com uma participação incompleta de Heath Ledger, está-se a provar díficil de vender no mercado americano.

Para os distribuidores americanos, o filme sobre universos paralelos e um grupo de teatro apresenta-se como uma proposta arriscada.

Por um lado, há o valor de lançar o último filme de Heath Ledger, considerado o principal responsável pela actuação recordista no box-office de “O Cavaleiro das Trevas”(“The Dark Knight”, no original); por outro, o trabalho pouco comercial de Gilliam, sem um sucesso desde “Doze Macacos”(1995), provoca alguma precaução por parte dos compradores.

O filme, já vendido em muitos territórios internacionais, está nas mãos da Lionsgate, que é considerada a principal candidata a lançar o filme nos EUA.

Johnny Depp, Colin Farrell e Jude Law, que completaram o papel de Ledger no filme quando este morreu em Janeiro, dizem que vão doar o salário do filme à família do malogrado actor.

I speak the truth and those who fear it should not be in the proverbial TRUTH KITCHEN!

I don’t have any opinion one way or another, I figure it just is what it is. And…I must admit that for a chick who doesn’t know WHY you don’t boil the water before you put the egg in the pot, she has accomplished quite a bit. But I still doubt that she has much influence in a presidential campaign. Most people choose their candidate based more along the line of who’s the best looking and who appears on the most late night television shows. But, I’m sure there is a group of people who would base their decision on the silly “Bikini Brainstorm”.

Since there are most likely a LOT of people who are that stupid, why not just pay Paris Hilton to star in a commercial where she holds a tampon up to her cheek and says, “Paris’ Pink Protection….it’s HOTTTTTT!”?

(I don’t think it would be a could idea to have Monica out there hawking ANY phallic symbol. She can’t get her orifices straight. God knows what she’d do with a tampon.)

If I worked at a drug store and Monica Lewinsky walked up to the counter with a box of tampons, I wouldn’t be able to help myself…I would look her right in the eye and with a deadpan face, I’d say, “You do know where these go, don’t you honey? They’re NOT cigars.”

It must be a rather odd feeling to know that you’ll go down in history for such a relationship with the president. Or do you think the future generations will see her differently?

“Ladies and gentlemen, let me introduce a woman belonging to a very elite group of heroic American women who have made our great nation a better place for us all, Betsy Ross, Harriet Tubman, Eleanor Roosevelt, Monica Lewinsky and Georgetta W. Bush…”

Wouldn’t it be a bitch if we were to find out that blowing a president is the ONE way to get them to do a good job? I think we should have Laura take that one eyed wonder worm of her husband’s…and make it truly the most powerful penis in the world. Then, if the war in Iraq stops and gas prices go down and Bill O’Reilly has nothing to bitch about anymore…we’ll know it works.

If it doesn’t do a thing, my scientific mind says that we should let Monica try it before we trash the idea completely. After all, she could be the common denominator. We could create a new cabinet, not a cabinet position, but an actual cabinet…one where the president will go every morning after a couple of cups of coffee to receive his presidential blow job. Then, he just steps out, buckles his belt and straightens his tie. That’s it. Now he’s ready to make important decisions with a much, much more pleasant demeanor.

Monica would be the perfect person for the job, after all, she has spent a lot of time under the presidential desk. We could do better than that with the presidential blow job cabinet. We could even put up mirrors. Well, I guess we’d have to see what Monica looks like on her knees. It might NOT be something the president would want to see.

Maybe we could just put up some nude pictures….say maybe Cloris Leacham, Joan Rivers, Bea Arthur…whoever Bush likes…Obama could replace them with pictures of Haley Berry, Lisa Bonet and Alicia Keys. If McCain wins, he could just put up pictures of mega-rich widows. Whatever floats the presidential boat.

If Operation Blow job works for 3 presidents in a row, we should stick it in the constitution. (I'd love to be in the audience for THAT debate...who would oppose such a bill?) Yep, it might sound crazy, but nothing they’ve done so far has worked. And with the 2 yahoos we have running for president, I don’t see any hope for the future. But, I do have a message for the wives of the presidential hopefuls:

An indie comedy that will truly make you think. Also known as also known as I Love Huckabees, and written as I ♥ Huckabees.

PLOT:

Albert Markovski (Schwartzman) is a young man who heads the local chapter of an environmental group, the "Open Spaces Coalition." One of their current projects is an attempt to stop the building of a new Huckabees store, a chain of "big-box" department stores akin to Wal-Mart or Target (Mike Huckabee was the governor of Arkansas, Wal-Mart's home state, at the time of the film's release). Confusing matters, Albert is a friend and rival of Brad Stand (Law), a shallow power executive at Huckabees. Brad infiltrates Open Spaces and charismatically displaces Albert as the leader. Dawn Campbell (Watts) is Brad's live-in girlfriend and the face and voice of Huckabees; she appears in all of the store's commercials.

After seeing the same conspicuous stranger three times, Albert contacts two existential detectives, Bernard and Vivian Jaffe (Hoffman and Tomlin). The detectives offer Albert their optimistic brand of existentialism—they name it universal interconnectivity(this has some tenets of romantic or even transcendentalist philosophies)—and spy on him, ostensibly to help him solve the coincidence. Bernard and Vivian introduce Albert to Tommy Corn (Wahlberg), an obsessively anti-petroleum firefighter. Tommy is assigned to Albert as his Other.

Tommy grows dissatisfied with the Jaffes, feeling that they are not helping him. Seeking out other possibilities, Tommy ends up abandoning and undermining the Jaffes by introducing Albert to Caterine Vauban (Huppert), a former student of the Jaffes' who espouses a seemingly opposing nihilistic/absurdist philosophy. She teaches them to disconnect their inner beings from their daily lives and their problems, to synthesize a non-thinking state of "pure being." Being lifted from their troubles, they wish to keep that feeling forever, yet she tells them that it is inevitable to be drawn back to the human drama, and to understand that the core truth of that drama is misery and meaninglessness.

Meanwhile, in Brad's further attempts to undercut Albert, he and Dawn also meet and are influenced by Bernard and Vivian. However, his plan backfires when the detectives probe Dawn and him, causing Dawn to reject her superficial iconic status as a beautiful model and him to realize that his whole ascent in the corporate ladder is meaningless, as he has lived his whole life just trying to please others and not himself.

All the storylines collide when Albert accidentally sets Brad's house on fire. Tommy comes to put the fire out and in the process, saves and falls in love with Dawn, who was inside the house at the time. Brad despairs at the destruction of his house, the symbol of his material success. Albert attains a sort of enlightenment when he synthesizes the two opposing outlooks of the Jaffes and Vauban to realize the cosmic truth of everything. By way of sympathy for Brad, who is now just as dejected and hopeless as Albert was at the beginning of the movie, Albert understands that he and Brad are no different, that everything really is inextricably connected, but that these connections necessarily arise from the often senselessly painful reality of human existence.

REVIEW:

This is not my normal type of movie. For some reason I had a desire to watch it today. not sure what to day about it. It has that definite indie flick feel. Makes you do some thinking, part of which is due to the existentialism stuff that can make your head hurt if you're not careful.

I enjoyed parts of it, but, like I said before, this isn't my type of movi so don't expect me to pick this out on a regular basis. Still, it is worth a decent rating.

3 1/2 out of 5 stars

There are occassions when you look at the cast list, look at the crew and look at the source material for a film and are forced to ponder how so many promising elements turn into a turkey.

Based on Robert Penn Warren's Pulitzer Prize-winning novel that was to Louisiana Governor Huey P. Long what Primary Colors was to Bill Clinton, the film tells the story of a fiery, populist politician (Sean Penn) who takes on the oil industry.

We see the events from the perspective of Jack Burden (Jude Law), a newspaper writer who is drawn into Willie Stark's campaign for Governor and subsequently his administration.

Stark, who was based upon Governor Long, is urged to run by a political schemer named Tiny Duffy who is trying to use Stark to get his own candidate elected Governor. When Burden reveals to Stark that Tiny is using him, the politician responds with a verbal tirade at his next stump stop against the fat cats - a theme that resonates with the crowd.

Sean Penn's Stark is a curious beast that never really settles for me. I can admire the way he physically apes Long when giving speeches, most noticeable in the way he moves his hands as he talks, but his personality feels indistinct. It is almost as if he had decided that Stark is a morally ambigious character and so should be "grey". Not a mixture of motives, not a mixture of actions - just soft, "grey" ambiguity.

Now, I have nothing against ambiguity in and of itself in a character's motivations if we are presented with a character and asked to make judgements. However, Zaillian's script never lets us see Stark clearly, keeping him at ambigious middle-distance and shrowding the impeachment proceedings in mystery. In doing so it becomes ambigious as to whether those charges, whatever they are, are trumped up or based on evidence of some kind. We never know Stark so how can we judge him?

We also cannot share in Burden's disillusionment concerning Stark when we never get a feel for what attracts Burden to him in the first place. More ambiguity. Is it that he is drawn to the underdog? Does he respect Stark's resume? Does he want to undermine his newspaper's line on the election?

The principal problem with Burden is that he simply is not a likeable or empathic character. From the opening frame of this film he is cold and unhappy. We never really understand the hopes and aspirations of the character, or why he takes some very dramatic decisions. Clearly there is a reason he is drawn to Stark but by not letting us share Burden's journey, it is hard not to be baffled by one major decision the character takes.

Perhaps the film's broken narrative structure is also to blame. We do not follow the relationship between Burden and Stark as it happens but we begin near the end of the narrative. A more conventional chronological timeline may have been less flashy but it would have made the story and the characters more accessible.

The film attempts to guide us emotionally through its style but the music is too brash and the visual design tries far too hard to be eye-catching. Both the music and art design end up being counter-productive, being distracting rather than aiding the telling of the story.

For instance, in one scene the production suddenly switches from colour to black and white and when blood appears it is the sole colour on the screen. A nice effect certainly, but it is very reminiscent of a scene in Schindler's List (which Zaillian also scripted) and feels like it was only shot that way to show off the effect. Zaillian forgets that design should always be in service of the story, clumsily pulling the focus away from the actors and towards the direction.

All the King's Men is a disenaging and disappointing work that fails to make the most of its elements. Given its cast, which contains the likes of Anthony Hopkins and Kate Winslet, and the pedigree of its crew it is astonishing how this picture could end up falling so wide of the mark.

This is a film that never decides what it wants to say or why its messages, whatever they are meant to be, are relevant to today's audience. It is clear that the makers have a love of the original text, the excruciating voice-overs culled and stitched together from the novel are evidence of an admiration for Warren's poetic prose, but the film needed to go further to make a connection from the politicking of the mid-20th century to that of the start of the 21st century.

Zaillian himself recognises this problem, explaining that this was the reason he moved the setting of the story from 1930s Louisiana to the 1950s. Yet in terms of campaigning style there is little difference between the two.

The original novel's success was in its daring examination of the political machine at a time when we lacked cynicism. What could have been a biting satire with relevance to today's politics feels like a record of a bygone age and a missed opportunity.

Originally posted on Spout.com on 24th August 2008.

1. Norah Jones está fantástica como protagonista.
2. Jude Law, meigo e caliente.
3. Rachel Weisz, absurdamente bonita.
4. Natalie Portman rocks.
5. O filme é recheado de músicas da Cat Power, na verdade, Living Proof toca no começo e The Greatest toca quase no filme todo.
6. Cat Power faz uma ponta, linda. I love Cat Power.
7. O roteiro é delicioso.

This movie has gotten a lot of comparisons to The Matrix, and it's directed by David Cronenberg, so I gave it a shot. It surprised me, then surprised me again, and again after that. What I thought to be some second-rate science fiction movie from the 90's turned out to be quite the opposite.

The special effects are well done, but not overdone to the point where it takes away from the story. While this isn't exactly a horror movie, Cronenberg's signature style of gore is still there at times but remains balanced. I loved the way everything looked in the movie - both in and outside the reality game they play. The atmosphere carried that "futuristic yet has elements of old" feeling to it reminiscent of the original Star Wars. Jennifer Jason Leigh and Jude Law carry the movie very well together with their chemistry, and had it not been there, I think the entire thing would have failed. The script may have seemed a bit dull at times, but it was intentional and fit well, I thought.

I can't give away too much of the plot here because 1) it's too complicated to make it simple, and 2) I don't want to give away anything.

So, in other words. You should see it for yourself.

IMDB Link

Rating:

Il bel gesto di Depp, Law e Farrell e l'eredità contesa di Ledger - Persone - Repubblica.it.

I give you Jude Law: A Man For All Ladies by "McVicar" (the '70s stick-up artist?). This has everything a title could possibly need, with the possible exceptions of taste, charm and attraction. I particularly like the evocation of a play and film with which Law has no obvious connection, and which has nothing to do with the title's overall premise, which is presumably that Law has some kind of irresistible appeal to the fairer sex (Fiona prefers Peter Lorre).

I will say this for Law -- he makes a very good robot.

In terms of heart-warming Hollywood moments, it doesn't get much better than this. According to the UK Sun, the three actors who took over Heath Ledger's half-finished role in the upcoming fantasy epic The Imaginarium of Dr. Parnassus have decided to donate their salaries to a cause close to Heath's heart -- his two-year-old daughter Matilda.

With rumours swirling that Heath's dad Kim may be mismanaging his son's fortune (unfortunately Heath never updated his will to reflect his young daughter), Jude Law, Johnny Depp and Colin Farrell (all dads themselves) wanted to make sure their late pal's daughter is well taken care of.

When told about this act of generosity, Imaginarium director Terry Gilliam could barely contain is emotion, saying, "That's extraordinary! And wonderful...and when you're part of that, you think, 'Ah, this is maybe why I went into the movies in the beginning. I thought it would be full of wonderful people.'

Beautiful... just beautiful!

You always hear stories about self-indulgent Hollywood types saddled with drug addictions, outlandish behavior and tumultuous relationships that last about as long as a 100 Meter race at the Olympics. Today, we learn that there are a few good egg's in LaLa Land who think of someone other than themselves, and how they will score an invitation to Clive Davis' next Grammy Party.

Johnny Depp, Jude Law and Colin Farrell stepped in to "complete" Health Ledger's role in an upcoming movie (The Imaginarium of Dr. Parnassus), playing different versions of his character "Tim." While filming,  the three stars learned that Heath had not had a chance to update his Last Will & Testament, to include his new daughter who is now two years old.

Here is the warm fuzzie part that puts your faith back into celebrities using their powers for Good & Evil. Johnny, Jude and Colin have donated their salary from the movie to Heath's little girl, Matilda. Obviously, nothing can replace a dad but at least the little girl will know how much her father was respected by his peers and friends.

As a side note, I still have NOT seen The Dark Knight. I'm pretty sure that I'm the only one, too.

K~

When we came across this incredibly moving and inspiring story, we felt the need to share it.  Often we only hear of the scandals and the negative news that comes out of Hollywood and its celebrity crowd.  However, three Hollywood "good guys", Johnny Depp, Jude Law and Colin Farrell give us hope that there is some compassion left in the movie biz.  The three great actors are filling the shoes of the late Heath Ledger in the film The Imaginarium of Dr. Parnassus, which was Heath Ledger's final work in progress upon his death.

When Depp, Law, and Farrell heard that Ledger's will was not updated before his death to include his 2-year old daugther, Matilda, the three actors got together and decided to give all of their income from the movie to Matilda to help secure her future.  Perhaps someday this wholesome tale will find its own way onto the silver screen in the making of the movie about Heath Ledger's life.

Source:  http://omg.yahoo.com/blogs/goddess/matilda-ledgers-guardian-angels/85?nc

Johnny Depp, quien con Jude Law y Collin Farell (para que vean que no sólo se dió la "viaba" en la Atlántida de Mistik), donará su cachet de la película The Imaginarium of Doctor Parnassus , dirigido por Terry Gilliam, a Matilda, la hija de dos años de Heath Ledger.
Los actores tomaron la decisión luego que se supiera que el testamento del actor australiano destinaba toda su fortuna a su padre, ya que al momento de su muerte todavía no había nacido la pequeña.
"Ninguno de los tres aceptó el dinero. Han dicho que irá directamente a la hija de Heath Creo que es extraordinario y maravilloso cuando formás parte de eso. Esta es la razón de por qué me metí en el mundo de las películas, está lleno de gente maravillosa", dijo Gilliam.
El film, una historia fantástica sobre un particular personaje (Doctor Parnassus) y su teatro ambulante, iba a ser protagonizado por Heath Ledger, quien murió poco después de comenzar el rodaje. Después de un tiempo de mantener la producción en suspenso, Gilliam volvió al set pero con los tres actores como los protagonistas.
Muchas veces las celebridades nos sorprenden con gestos que los acercan más a los mortales que al lejano universo en el que pareciera que viven sumergidos.

Noticia tomada de Cinemanía y dedicada a Samy las "Brujas" que me visitan .. jeje

Hears a tear jerking story for you.  It involves 3 of Hollywood's favorite men. The news of Heath Ledger's death is beginning to enter the "old news" category, especially since it has been talked about in every single magazine issue since it happened. Of course concern was expressed for Heath's family and Heath himself. Then the media focused on ex-wife Michelle Williams, appropriately. But it seems the tabloids are forgetting someone very important. Not many articles had to do with Heath's look-alike offspring, 2 year old Matilda, or her future.

It is known that Matilda was not named in Heath's will, probably because he was still young and just didn't anticipate dying anytime soon in such a sudden, abrupt way. While one would argue that Matilda's financial well-being will never suffer, seeing as her mom is a semi-popular actress and fraternal grandparents will certainly make sure she receives her share of Heath's hard work, A-List celebs are still concerned.

Johnny Depp, Jude Law, and Colin Farrell, who all happened to play variations of Heath's character Tony in "The Imaginarium of Doctor Parnassus," have donated their pay from the film to the late star's 2-year-old daughter. Production on the film shut down for two months following Heath's death in January. I think this was really awesome of these guys. I don't put it past Johnny Depp at all, seeing as I love him and hold him as my favorite male actor. But, I am surprised (in a good way) to see someone like Colin Farrell doing something as charitable and caring as this. Not like I know him personally or think he is a terrible role model, but let's face it, he has had his share of problems in the past.

Anyway, props to Johhny, Jude, and Colin. Who knew Hollywood celebs looked out for one another!

Johnny Depp, Jude Law et Colin Farell les trois acteurs qui ont remplacer Heath Ledger, après sa mort, sur le tournage de son dernier film “Terry Gilliam’s The Imaginarium of Dr Parnassus”. Vienne de donner la totalité de leur cachet à la fille de Heath Ledger, Matilda. Cela démontre qu'a hollywood il ni a pas que des requins et que la solidarité existe encore.

Heath Ledger morreu sem atualizar seu testamento e não deixou nada para sua filha Matilda. O pai de Heath é que retem toda a grana.
Mãããããs, os 3 atores que fizeram versões do personagem de Heath em seu último e inacabado filme vão doar os cachês para Matilda, dizem que é de direito da menina. Achei bacana. E olha só quem são os 3 atores: Johnny Depp, Jude Law e Collin Farrel. Se for cachê completo aí tem no mínimo 40 milhões de dólares. Matilda não está desamparada, a mãe, Michelle Williams e o padrinho Jake Gyllenhaal estão numa fase positiva e lucrativa de suas carreiras.

Everybody thinks "The Dark Knight" is Heath Ledger's final film, but it's not true. If everyone gets their facts straight, Terry Gilliam's "The Imaginarium of Dr. Parnassus" is Heath's last and final film ever. This was the film Heath Ledger was still filming before he died. Heath Ledger originally was supposed to play the leading role throughout the entire film but due to his death, three big name actors took over Heath's spot leaving the real Heath a cameo in the film.

Johnny Depp, Colin Farrell and Jude Law who starred in the film agreed to give their paychecks they got from making the film to Matilda, the daughter of Heath and Michelle Williams.

More on it here:

http://justjared.buzznet.com/2008/08/18/matilda-ledger-ice-pop-princess/

Those three guys did a great thing. They got plenty of money, they don't really need it. Matilda deserved it.

Kudos.

Kev